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	<title>Madeline Bogoch</title>
	<link>https://madelinebogoch.com</link>
	<description>Madeline Bogoch</description>
	<pubDate>Sat, 15 Oct 2022 21:35:11 +0000</pubDate>
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	<item>
		<title>About</title>
				
		<link>https://madelinebogoch.com/About</link>

		<pubDate>Sat, 15 Oct 2022 20:01:36 +0000</pubDate>

		<dc:creator>Madeline Bogoch</dc:creator>

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		<description>Madeline Bogoch (she/her) is a writer, editor, and film programmer based in Montréal. Her writing has been published in Border Crossings, C Magazine, Public Parking, PUBLIC, and others. Madeline is currently the Editor at BlackFlash Magazine and Co-Director of the Winnipeg Underground Film Festival (WUFF). 
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	<item>
		<title>Writing</title>
				
		<link>https://madelinebogoch.com/Writing</link>

		<pubDate>Sat, 15 Oct 2022 21:34:58 +0000</pubDate>

		<dc:creator>Madeline Bogoch</dc:creator>

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		<description>Artful Instigator: Althea Thauberger’s Return to the PrairiesBlackFlash Magazine 43.2 (September 2026)

︎What passes for recklessness is actually just freedom: an interview with Anika Jade Levy &#38;nbsp; 

Public Parking (April 2026)
Handle with Care
Exhibition text for Touchy, a group exhibition at 226 Main featuring the work of Gillian King, Carline Lescarbeau, Caroline Mousseau, and M.E. Sparks (October 2025)
︎Review of “Built Persuasion” by Lisa Stinner Kun&#38;nbsp; 

Border Crossings Issue # 168&#38;nbsp; (September 2025)︎Review of “Motherground” by Dominique Rey 

Border Crossings Issue #167  (May 2025)

︎Slow Burn: a response to the 37th annual Images Festival 
BlackFlash Magazine 42.2&#38;nbsp; (October 2025)
We’re Still Here: 50 Years of the Winnipeg Film Group
Exhibition essay co-written with Scott Fitzpatrick (December 2024)︎In His Element: A Conversation with Alexis Auréoline&#38;nbsp;Conversation published in Public Parking&#38;nbsp;
︎Praying For My Haters: Art, Empathy, and Incels”&#38;nbsp; Essay published in PUBLIC Online (August 2024)
Bad Habits&#38;nbsp;
Personal essay published in Syphon 9.0 (2024)

︎“Alien Daughters Walk Into the Sun: An Almanac of Extreme Girlhood” By Jackie Wang Review published in C Magazine Issue 158 (August 2024)

︎Risqué Business: the libidinal realism of Laura Lewis&#38;nbsp;
Commissioned response to exhibition The In-Between by Laura Lewis at Modern Fuel in Kingston ON (May 2024)

︎Heaven and Earth 
Commissioned response to exhibition&#38;nbsp;I’m not sure I know exactly what clouds are by Meganelizabeth Diamond at Deluge Contemporary Art in Victoria BC (May 2024)Pleasure Principles: On Anita SteckelEssay on feminst artist/provocateur Anita Steckel. Published in Femme Art Review Issue 3 (April&#38;nbsp; 2024) 
︎A Year of Fluid Realities
2023 year-end review published in Public Parking (January 2024)
All Tomorrow’s Parties:&#38;nbsp;The Past and Present Futures of Psychedelics and Technology

Essay included in publication in conjuction with the exhibition “Remember Tomorrow: A Telidon Story” at InterAccess. Published by Peripheral Review and InterAccess (September 2023)
︎A Secret History&#38;nbsp;
Response to “Purple City” by Noam Gonick and Michael Walker, and “Saint-Narcisse” by Bruce LaBruce. Essay published in Public Parking (August 2023)
︎On Walking through Clear Water in a Pool Painted Black
By Cookie Mueller, ed. Hedi El Kholti, Amy Scholder, and Chris Kraus. Review published in Peripheral Review (April 2023).&#38;nbsp;
︎A Year in Charismatic Trash2022 year-end-review published in Public Parking (January 2023)

︎Review of “IN DEEP” Group exhibition at Platform Centre for
Photographic and Digital Arts in Winnipeg MB. Published in C Magazine Issue 153 (December 2022)

︎What Remains to be Seen
Review of Gonzalo Reyes Rodríguez’s exhibition “New
Photographs” at Blinkers Art + Projects in Winnipeg, MB. Published in Peripheral Review (September 2022)
 


︎Barthes’
Punctum for the Extremely OnlineReflection on Clint Enns’ exhibition “Conspiracies
in Isolation,” commissioned by Paved Arts, and published in PAVED Meant vol.4 (September 2022)
 
︎The Marilyn ComplexPublished in the MAWA Newsletter (August 2022) 


︎Best BeforeReview of Colby Richardson’s “Performance for Aging
Apple Devices.” Published in Peripheral Review (February 2022)


︎Can’t Buy Me LoveReview of Sara Cwynar’s exhibition “Source” at Remai Modern in Saskatoon,
SK. Published in Femme Art Review (December 2021)



︎Review of Last Days at Hot Slit: The Radical Feminism of Andrea
Dworkin Edited by
Johanna Fateman and Amy Scholder. Published in Synoptique: An Online Journal of Film and Moving Image Studies, vol.
9 no.2, (September 2021)







 





















︎Generation
Loss: Bootlegs, Dubs, and Other Labours of LovePublished in RENDER Graduate Journal for Visual Culture vol. 8, (May 2021)


︎Review
of Tasman Richardson’s solo exhibition “Kali Yuga” at Arsenal MontrealPublished in Peripheral Review, (January 2021)





















︎Review
of Andrew Burke’s Hinterland RemixedPublished in Galleries West Magazine (May 2020)





























︎Review
of Karen Asher’s solo exhibition “Class” At Plug In ICA, Winnipeg MB. Published in C Magazine, Issue 144 (Winter 2020)</description>
		
	</item>
		
		
	<item>
		<title>CV</title>
				
		<link>https://madelinebogoch.com/CV</link>

		<pubDate>Sat, 15 Oct 2022 21:35:11 +0000</pubDate>

		<dc:creator>Madeline Bogoch</dc:creator>

		<guid isPermaLink="true">https://madelinebogoch.com/CV</guid>

		<description>Education:


2019
- 2021 &#38;nbsp; &#38;nbsp; &#38;nbsp; Concordia University, Art History, &#38;nbsp;MA in Art History


 2012-
2017&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; University
of Winnipeg, &#38;nbsp;Art History, BA in Art History


























Professional:

2024-Present&#38;nbsp; &#38;nbsp;BlackFlash Magazine, Editor&#38;nbsp;2021-Present&#38;nbsp; &#38;nbsp; Video Pool Media Arts Centre,&#38;nbsp; Director of Distribution and Media Collections
2023-Present&#38;nbsp; &#38;nbsp; Winnipeg Underground Film Festival, &#38;nbsp;Co-Director&#38;nbsp; 
2023-2024 &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Public Parking, Freelance Editor&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;


2020-2021&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Video Pool
Media Arts Centre, Project Coordinator


2019- 2021&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Concordia
University, Teaching Assistant in Art History Dept.



Summer 2019&#38;nbsp; &#38;nbsp;&#38;nbsp;Video Pool Media Arts Centre, Distribution
Assistant


Summer 2018&#38;nbsp; &#38;nbsp;&#38;nbsp;Gallery 1C03, Curatorial Assistant Intern 


2017-2018&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Gallery
1C03, Gallery Attendant and Art
Educator










Curatorial + Programming:2020 - Present&#38;nbsp; Winnipeg
Underground Film Festival&#38;nbsp;
Residencies:&#38;nbsp;
Summer 2025&#38;nbsp; &#38;nbsp;To Build and Sustain: Momus Editorial Residency
Winter 2024&#38;nbsp; &#38;nbsp; &#38;nbsp; Plug In ICA Winter Institute led by Judy RadulSummer
2020 &#38;nbsp; Vtape Curatorial
Incubator v.16 Living in Hope Summer 2020&#38;nbsp; &#38;nbsp;Momus Emerging Critics ResidencySummer 2017&#38;nbsp; &#38;nbsp;&#38;nbsp;Plug In ICA Summer Institute led by Walter Scott and Niki Little


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	<item>
		<title>Contact</title>
				
		<link>https://madelinebogoch.com/Contact</link>

		<pubDate>Sat, 15 Oct 2022 21:33:56 +0000</pubDate>

		<dc:creator>Madeline Bogoch</dc:creator>

		<guid isPermaLink="true">https://madelinebogoch.com/Contact</guid>

		<description>︎ mbogoch [at] gmail.com
︎ @madsbogoch
</description>
		
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		<title>Mobile nav</title>
				
		<link>https://madelinebogoch.com/Mobile-nav</link>

		<pubDate>Sat, 15 Oct 2022 20:01:37 +0000</pubDate>

		<dc:creator>Madeline Bogoch</dc:creator>

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		<description>AboutWriting
CVContact
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