Conversation published in Public Parking (Forthcoming)
︎Praying For My Haters: Art, Empathy, and Incels”
Essay published in PUBLIC Online (August 2024)
Bad Habits (forthcoming)
Personal essay published in Syphon 9.0 (2024)
︎“Alien Daughters Walk Into the Sun: An Almanac of Extreme Girlhood” By Jackie Wang
Review published in C Magazine Issue 158 (August 2024)
︎Risqué Business: the libidinal realism of Laura Lewis
Commissioned response to exhibition The In-Between by Laura Lewis at Modern Fuel in Kingston ON (May 2024)
︎Heaven and Earth
Commissioned response to exhibition I’m not sure I know exactly what clouds are by Meganelizabeth Diamond at Deluge Contemporary Art in Victoria BC (May 2024)
Pleasure Principles: On Anita Steckel
Essay on feminst artist/provocateur Anita Steckel. Published in Femme Art Review Issue 3 (April 2024)
︎A Year of Fluid Realities
2023 year-end review published in Public Parking (January 2024)
All Tomorrow’s Parties: The Past and Present Futures of Psychedelics and Technology
Essay included in publication in conjuction with the exhibition “Remember Tomorrow: A Telidon Story” at InterAccess. Published by Peripheral Review and InterAccess (September 2023)
︎A Secret History
Response to “Purple City” by Noam Gonick and Michael Walker, and “Saint-Narcisse” by Bruce LaBruce. Essay published in Public Parking (August 2023)
︎On Walking through Clear Water in a Pool Painted Black
By Cookie Mueller, ed. Hedi El Kholti, Amy Scholder, and Chris Kraus. Review published in Peripheral Review (April 2023).
︎A Year in Charismatic Trash
2022 year-end-review published in Public Parking (January 2023)
︎Review of “IN DEEP”
Group exhibition at Platform Centre for Photographic and Digital Arts in Winnipeg MB. Published in C Magazine Issue 153 (December 2022)
︎What Remains to be Seen
Review of Gonzalo Reyes Rodríguez’s exhibition “New Photographs” at Blinkers Art + Projects in Winnipeg, MB. Published in Peripheral Review (September 2022)
︎Barthes’ Punctum for the Extremely Online
Reflection on Clint Enns’ exhibition “Conspiracies in Isolation,” commissioned by Paved Arts, and published in PAVED Meant vol.4 (September 2022)
︎The Marilyn Complex
Published in the MAWA Newsletter (August 2022)
︎Best Before
Review of Colby Richardson’s “Performance for Aging Apple Devices.” Published in Peripheral Review (February 2022)
︎Can’t Buy Me Love
Review of Sara Cwynar’s exhibition “Source” at Remai Modern in Saskatoon, SK. Published in Femme Art Review (December 2021)
︎Review of Last Days at Hot Slit: The Radical Feminism of Andrea Dworkin
Edited by Johanna Fateman and Amy Scholder. Published in Synoptique: An Online Journal of Film and Moving Image Studies, vol. 9 no.2, (September 2021)
︎Generation Loss: Bootlegs, Dubs, and Other Labours of Love
Published in RENDER Graduate Journal for Visual Culture vol. 8, (May 2021)
︎Review of Tasman Richardson’s solo exhibition “Kali Yuga” at Arsenal Montreal
Published in Peripheral Review, (January 2021)
︎Review of Andrew Burke’s Hinterland Remixed
Published in Galleries West Magazine (May 2020)
︎Review of Karen Asher’s solo exhibition “Class”
At Plug In ICA, Winnipeg MB. Published in C Magazine, Issue 144 (Winter 2020)